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Mariam Kharatyan

Førsteamanuensis
Institutt for klassisk musikk og musikkpedagogikk
Telefon
+47 38142446
Mobiltelefon
+4740640243
Kontor K3022 (Universitetsveien 25, 4630 Kristiansand, Norway)

Forskningsgrupper

Ansvarsområde

Den armenske pianisten Mariam Kharatyan spiller internasjonalt som solist og kammermusiker. Hun har sin musikalske bakgrunn som klassisk pianist og fullførte sin mastergrad ved Komitas Musikk Konservatorium i Yerevan, Armenia. Fra 2012 flyttet hun til Norge og fullførte masterprogrammet i vest-europeisk musikk ved Universitetet i Agder. For tiden er hun Førsteamanuensis i Institutt for klassisk musikk og musikkpedagogikk ved Universitetet i Agder.

Kharatyan har vært solist med Kristiansand symfoniorkester, dirigert av Eivind Gullberg Jensen, Norge, Torun symfoniorkester med Anna Duczmal-Mroz, Polen og strykeorkester av Sarajevo Musikk Akademi med Tijana Vignevic, Bosnia-Hercegovina. Hun er prisvinner i flere internasjonale pianokonkurranser som “Giovanni Musicisti” (1. pris, 2013) i Treviso, Italia, Grieg Internasjonal Pianokonkurranse i Bergen (Semifinalist, 2016), og “Renaissance” i Gyumri, Armenia, i 2010.

Kharatyan hadde masterklasser med blant andre Leif Ove Andsnes, Einar Steen-Nøkleberg, Marianna Shirinyan og Jan Jiracek Von Arnim. Hun har spilt konserter i Kilden Teater og Konserthus i Kristiansand, National Gallery of Art i Washington DC, Leshowitz Recital Hall i Montclair, New Jersey, Khachaturian Concert Hall i Yerevan, også i Sverige, Tyskland, Italia, Ungarn, Polen, Romania, Hviterussland, Bosnia-Hercegovina og Litauen.

Fra 2015-2019 arbeidet hun med prosjektet Armenian Fingerprints: interpreting the piano music of Komitas and Khachaturian in light of Armenian folk music, i Norsk Program for Kunstnerisk Untviklingsarbeid. 

I 2019 har hun gitt ut to plater - Khachaturian, Chamber Music med Simax Classics, og Komitas, Shoror med Grappa Musikkforlag.

Publikasjoner

  • Eidsaa, Randi Margrethe & Kharatyan, Mariam (2024). Rethinking Music Performance Education Through the Lens of Today’s Society, Teaching Music Performance in Higher Education: Exploring the Potential of Artistic Research. Open Book Publishers. ISSN 9781805112730. s. 251–270. doi: 10.11647/OBP.0398.
  • Kharatyan, Mariam (2024). Score-Based Learning and Improvisation in Classical Music Performance, Teaching Music Performance in Higher Education: Exploring the Potential of Artistic Research. Open Book Publishers. ISSN 9781805112730. s. 181–194. doi: 10.11647/OBP.0398.
  • Kharatyan, Mariam (2021). Aspects of Interpretation with Multicultural Performers . I Rykowski, Mikolaj (Red.), Music E-ducation in XXI- st century. New challenges and perspectives. Wydawnictwo Miejskie Posnania, Akademia Muzyczna im. I. J. Paderewskiego w Poznaniu. ISSN 978-83-65727-59-6. s. 209–220.
  • Kharatyan, Mariam (2021). Aspekty interpretacyjne muzyki w środowisku wykonawców wielokulturowych. I Murawskiej, Ewy; Schau, Jørn; Rykowskiego, Mikołaja & Kłysz-Sokalskiej, Natalii (Red.), E-dukacja muzyczna w XXI wieku Nowe wyzwania i perspektywy. Wydawnictwo Miejskie Posnania, Akademia Muzyczna im. I. J. Paderewskiego w Poznaniu. ISSN 978-83-65727-62-6. s. 277–292.

Se alle arbeider i Cristin

  • Kharatyan, Mariam (2024). EUROPEAN CONFERENCE 2024 SOUND ACTS ENSEMBLE // A Performance of free Sounds.
  • Kharatyan, Mariam (2024). CreaTeME//MAURICE RAVEL TROIS POÉMES DE MALLARMÉ CHANSON MADÉCASSES IMPROVISATION WITH LIVE ELECTRONICS.
  • Kharatyan, Mariam (2024). RE-CREATION//CreaTeME .
  • Kharatyan, Mariam (2023). Armenian and Norwegian Fingerprints - Recital .
  • Kharatyan, Mariam (2023). Improvisation in Classical Music - Listening, Reacting and Responding Together.
  • Eidsaa, Randi Margrethe & Kharatyan, Mariam (2023). Interdisciplinary Artistic Project: Songs of the Soul.
  • Eidsaa, Randi Margrethe & Kharatyan, Mariam (2023). Erasmus + Project REACT: Artistic-Research Based Learning: Toolkit (Output3) .
  • Kharatyan, Mariam (2023). ARAM CHATSCHATURJAN (1903 – 1978) Klavierkonzert Des-Dur op. 38 GMD Mihkel Kütson, Dirigent Niederrheinische Sinfoniker Mariam Kharatyan, klavier.
  • Kharatyan, Mariam (2023). Lær å Lytte Podcast, Armenian Fingerprints with Mariam Kharatyan . [Internett]. Spotify.
  • Kharatyan, Mariam (2023). Musical Journey to Armenia – Armensk musikk og kultur.
  • Kharatyan, Mariam (2023). Piano Recital, REACT, University of Nicosia, Kypros.
  • Kharatyan, Mariam (2023). CHANTS DE L'ÂME - SONGS OF THE SOUL Journeys to France, Andalucia and Middel East .
  • Kharatyan, Mariam & Eidsaa, Randi Margrethe (2023). REACT - Virtual Academy of Music Performance, Helsinki, Finland.
  • Kharatyan, Mariam (2023). Alan Hovhaness, Lousadzak/Coming of Light piano concerto and Improvisation .
  • Kharatyan, Mariam (2023). Lousadzak/Coming of Light - Hovhaness' piano concerto and Response-Improvisations.
  • Kharatyan, Mariam (2023). Piano and Chamber Music Masterclasses at the Yerevan Komitas State Conservatory in Armenia, Erasmus+ Mobility Program.
  • Kharatyan, Mariam (2023). On Crossroads of Tradition and Innovation.
  • Kharatyan, Mariam; Rolfhamre, Robin & Schau, Jørn (2023). Artistic research: on specifics of the Norwegian model of artistic research and "Armenian fingerprints" project.
  • Kharatyan, Mariam (2022). Meet the Artist, interviewed by Frances Wilson, The Cross-Eyed Pianist. [Internett]. meettheartist.online.
  • Kharatyan, Mariam (2022). How to use the Sostenuto pedal | Middle pedal.
  • Kharatyan, Mariam (2022). Evolution of the middle pedal | Sostenuto pedal .
  • Eidsaa, Randi Margrethe; Kharatyan, Mariam; Correia, Jorge; Dalagna, Gilvano; Foletto, Clarissa & Economidou-Stavrou, Natassa (2022). Rethinking Music Performance in European Higher Education Music Institutions: Perspectives from Norway.
  • Kharatyan, Mariam (2022). Score-Based Learning and Improvisation in Classical Music Performance.
  • Kharatyan, Mariam (2022). ARMENIAN CROSSROADS KOMITAS, HOVHANESS, KHACHATURIAN Klaverkonsert i Oslo .
  • Kharatyan, Mariam (2022). Bridging musical and artistic knowledge in performance practice.
  • Kharatyan, Mariam (2022). Through and Beyond the Notes: New Interpretational Possibilities in Music Performance.
  • Kharatyan, Mariam & Eidsaa, Randi Margrethe (2021). Frederick Delius Music Project, Three Preludes (1923).
  • Kharatyan, Mariam (2021). Recital in Troldhaugen - Alan Hovhaness, Edvard Grieg, Aram Khachaturian .
  • Kharatyan, Mariam (2021). EVOCATIONS - VOLT FESTIVAL Grieg, Komitas and Khachaturian.
  • Kharatyan, Mariam (2021). Masterclasses at the I. J. Paderewski Academy of Music in Poznan, Poland.
  • Kharatyan, Mariam (2021). Konsert i I. J. Paderewski musikk akademi i Poznan, Polen.
  • Kharatyan, Mariam (2021). Crossroads, New Interpretational Possibilities Through Artistic Research.
  • Kharatyan, Mariam (2021). Composer - Performer - Listener: Bridging the Time and Space.
  • Kharatyan, Mariam (2021). The aspects of interplay on European notation system, music education and interpretation.
  • Kharatyan, Mariam (2021). Presentation of the article "Aspects of Interpretation with Multicultural Performers".
  • Kharatyan, Mariam (2020). Towards developing preparation skills and positive mindset prior to performance.
  • Kharatyan, Mariam (2020). Artistic research in music and the aspects of interpretation with multicultural performers.
  • Kharatyan, Mariam (2020). Klaverkonsert i Buen Kulturhus, Norway. E. Grieg, Komitas, A. Khachaturian.
  • Kharatyan, Mariam (2020). Klaverkonsert i Arendal Kulturhus, Norway. E. Grieg, Komitas, A. Khachaturian, V. Kristensen.
  • Kharatyan, Mariam (2020). Armenian Fingerprints .
  • Kharatyan, Mariam (2019). Konsert i Zeitgeschichtliches Forum, Leipzig, Tyskland.
  • Kharatyan, Mariam (2019). Konsert i M. K. Ciurlionio Namai, Vilnius, Lituaen .
  • Kharatyan, Mariam (2019). Armenian Fingerprints. Release concert of albums Komitas, Shoror, and Aram Khachaturian, Chamber Music in Oslo, Norway.
  • Kharatyan, Mariam (2019). Aram Khachaturian, Piano Concerto with KSO .
  • Kharatyan, Mariam (2019). Aram Khachaturian, Chamber Music SIMAX CLASSICS.
  • Kharatyan, Mariam (2019). Komitas, Shoror GRAPPA Musikkforlag.
  • Kharatyan, Mariam (2018). Komitas. Concert with Vigen Balasanyan in Domkirke, Kristiansand, Norway.
  • Kharatyan, Mariam (2019). Armenian Fingerprints - interpreting the piano music of Komitas and Khachaturian in light of Armenian folk music Doktorgradsavhandling . Norwegian Artistic Research Programme.

Se alle arbeider i Cristin

Publisert 16. apr. 2024 11:05