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Rolfhamre, Robin
(2023).
Over Seas.
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Rolfhamre, Robin & Schau, Jørn
(2023).
Introduction to effective academic project design.
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Rolfhamre, Robin & Schau, Jørn
(2023).
Foundations of Tone production on Classical Guitar.
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Schau, Jørn & Rolfhamre, Robin
(2023).
Working with Flute ensembles.
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Halvorsen, Linda Cecilie; Rolfhamre, Robin & Schau, Jørn
(2023).
Physically active lessons as a teaching method in music education, Part 3: Practical examples.
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Halvorsen, Linda Cecilie; Rolfhamre, Robin & Schau, Jørn
(2023).
Physically active lessons as a teaching method in music education, Part 2: Learning styles and planning.
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Halvorsen, Linda Cecilie; Rolfhamre, Robin & Schau, Jørn
(2023).
Physically active lessons as a teaching method in music education, Part 1: Physically active lessons and inclusion.
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Rolfhamre, Robin & Schau, Jørn
(2023).
Professionalising Classical musicians Part 4: Outreach.
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Rolfhamre, Robin & Schau, Jørn
(2023).
Professionalising Classical musicians Part 3: Finding your market.
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Rolfhamre, Robin & Schau, Jørn
(2023).
Professionalising Classical musicians Part 2: Implementing your brand.
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Rolfhamre, Robin & Schau, Jørn
(2023).
Professionalising Classical Musicians Part 1: Singularity and Branding.
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Eidsaa, Randi Margrethe; Rolfhamre, Robin & Schau, Jørn
(2023).
Musical communication.
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Schau, Jørn & Rolfhamre, Robin
(2023).
The labour market for musicians in Norway and the UiA study programs in Classical music performance.
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Kharatyan, Mariam; Rolfhamre, Robin & Schau, Jørn
(2023).
Artistic research: on specifics of the Norwegian model of artistic research and "Armenian fingerprints" project.
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Øhrn, Konrad Mikal; Rolfhamre, Robin & Schau, Jørn
(2023).
Chord usage in two selected compositions by Konrad Øhrn.
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Mathisen, Terje Howard; Rolfhamre, Robin & Schau, Jørn
(2023).
The music of Sigurd Lie.
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Schau, Jørn & Rolfhamre, Robin
(2023).
Norwegian National Romance and music by Edward Grieg.
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Rolfhamre, Robin
(2022).
Views on Early Music as Representation: A Book Presentation.
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Rolfhamre, Robin
(2021).
From theory to reality: performative implications from arranging Adam de la Halle's fifth motet, "j'ai adès d'amours chanté,” for solo lute.
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Rolfhamre, Robin
(2021).
Agder vitenskapsakademis årsfest.
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Rolfhamre, Robin
(2021).
Quatre Pièces Brèves.
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Rolfhamre, Robin
(2021).
E-Learning in Conservatory Style Musical Instrument Performance Training: Thoughts on the Rhetoric of Sustainability, Technology and Higher Music Education.
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Rolfhamre, Robin
(2021).
A Rhetoric of Sustainability, Technology and Higher Music Education: A Teacher’s Thoughts on E-learning in Conservatory Style Musical Instrument Performance Training.
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Rolfhamre, Robin
(2020).
All aboard! Aspects of inclusion in Norwegian
municipal cultural schools, exemplified with cases from two towns,
"Schoolchildren in Central and Northern Europe: about the need for Transcultural Education -Social, Ethical,Musical and Medical Aspects"; Monograph, member of editorial committee.
Jan Paderewsky Music Academy Poznan, Poland.
ISSN 978-83-65727-53-4.
p. 209–226.
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Rolfhamre, Robin
(2019).
Avtakkingfest for preses Ernst Håkon Jahr, Agder vitenskapsakademi.
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Rolfhamre, Robin & Farstad, Per Kjetil
(2019).
Minnestund for Roy Eriksen.
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Rolfhamre, Robin
(2019).
Fra det representative til det performative.
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Farstad, Per Kjetil & Rolfhamre, Robin
(2019).
Renaissance Duets & Solos.
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Rolfhamre, Robin
(2019).
Kontekster og utfordringer i tidligmusikken før 1700.
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Rolfhamre, Robin
(2018).
Trubadurer, verdenssyn og kunnskapsproduksjon: om synteser mellom musikkutøving, musikologier og det performative
.
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Rolfhamre, Robin
(2018).
Gammel musikk, samvær og fremtid.
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Rolfhamre, Robin
(2018).
Ta ansvar för ditt musicerande!
SGLS Svenska Gitarr- och Lutasällskap.
ISSN 0283-474X.
51(2),
p. 7–10.
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Rolfhamre, Robin
(2017).
Musikk fra 1300- til 1700-tallet.
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Rolfhamre, Robin
(2017).
Komponisten som smisket med Solkongen.
Fædrelandsvennen.
ISSN 0805-3790.
p. 20–20.
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Rolfhamre, Robin
(2017).
Northern Winds, Nordic Early Music, 1140–1810.
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Rolfhamre, Robin
(2017).
Ego sum.
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Rolfhamre, Robin
(2017).
Lunchkonsert med Robin Rolfhamre.
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Rolfhamre, Robin
(2017).
Barocken innan Bach och Händel.
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Rolfhamre, Robin
(2017).
ICT-support for Robin Rolfhamre's lectures.
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Rolfhamre, Robin
(2017).
Lutmusik som berättar — tankar efter en doktorsavhandling
.
SGLS Svenska Gitarr- och Lutasällskap.
ISSN 0283-474X.
50(1),
p. 15–17.
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Rolfhamre, Robin
(2016).
Dr Robin Rolfhamre Instrument Collection.
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Rolfhamre, Robin
(2016).
A case study of the colascione from an idiomatics perspective.
Lutezine.
p. 52–63.
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Christiansen, Atle C. & Rolfhamre, Robin
(2016).
Musikeren Robin Rolfhamre får forskningspris.
[Internet].
http://www.uia.no/nyheter/musikeren-robin-rolfhamre-faar-for.
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Rolfhamre, Robin
(2016).
Talentutvikingsprogrammet unge musikere.
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Rolfhamre, Robin
(2016).
Cantigas de Santa Maria | Alfonso X (1221–1248).
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Rolfhamre, Robin
(2016).
‘Who am I?’ Individuality as focus in higher music education.
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Rolfhamre, Robin
(2016).
Glem den høyverdige musikken.
Fædrelandsvennen.
ISSN 0805-3790.
p. 19–19.
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Rolfhamre, Robin
(2016).
Translating the Early Modern musician: From historical past to contemporary
practice and practise.
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Rolfhamre, Robin
(2016).
‘Performing artistic research in Early Modern genres and to have an academic career as a lute scholar.
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Rolfhamre, Robin
(2016).
Svartedauen.
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Rolfhamre, Robin
(2016).
‘Concert introduction and perspectives on Early Music.’
Konsertintroduksjon ved dr. Robin Rolfhamre.
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Rolfhamre, Robin
(2016).
‘Getting noticed: Strategies and thoughts on creating a name and finding your uniqueness as a musician.’.
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Rolfhamre, Robin
(2016).
The language of sound.
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Rolfhamre, Robin
(2015).
Io e lei.
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Øvrebø, Daniel Henry; Rolfhamre, Robin ; Angelo, Elin & Mattes, Arnulf Christian
(2021).
Performative arts-based audience research: investigating experiences with high modernist works for solo flute.
Universitetet i Agder.
ISSN 9788284270463.
Full text in Research Archive
Show summary
Musical communication has been examined from multiple perspectives, ranging from
semiotic analysis and cognitive approaches to social and cultural contexts. Nevertheless,
an approach that combines qualitative methods with artistic perspectives is lacking. In
this PhD project, three postwar modernist works for solo flute constitute a program
performed in three cities in Norway: B. Ferneyhough – Cassandra’s Dream Song; B.
Jolas – Fusain pour une Flutiste, and M. Kagel – Atem für einen Bläser. After each
performance, I conducted focus group studies with participants engaged primarily
through the respective cities’ symphonic orchestra subscription list. Guided by a general
agential realist perspective on music performance and an inquiry into audience
responses, I aim to investigate how live performance experiences with this music
produce subjectivities among audiences, and how this can be expressed by creating
narratives from the interviews and conversations. In addition, my own navigation
around the double role of performer and researcher is subject to inquiry.
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Rolfhamre, Robin ; Angelo, Elin & Øvrebø, Daniel Henry
(2020).
Performative arts-based audience research: investigating experiences with high modernist works for solo flute.
Universitetet i Agder.